DIY AML Fairchild Tube Equalizer and its Magic Eye magic

Before finding this DIY kit on the AML online shop, I didn’t know anything about Fairchild equalizers. I knew this manufacturer was famous for the 670 limiters that I had used many times in different software reissues and that was the same Fairchild factory, building those fat Flying Boxcar planes that used to impress me very much, roaring low over my head while a kid.

Pultecs as rain

As I had no tube EQs in the studio, my initial idea was building a couple of classic Pultec equalizers clones. Sure there is no need to explain more, my typical readers can possibly know more than me about. Searching for the best way to go, I remained surprised to see how many clones or Pultec inspired equalizers exist today in the market, in the DIY or finished product form. Even big manufacturers like Behringer, recently introduced their Pultec, under their Klark Teknik brand, at an insanely cheap price.

Looking on the AML web for info on their Pultec kits, I totally fell in love for their Fairchild 627 reissue, instead. When I crave for new gear, I try to stay tight to my technical side and using logic, considering what is really needed. This brings me most of the time to fix, mod and recycle old gear still in my hands, instead of buying something brand new. OK, after decades soldering and fixing things, I can consider myself a bit a tech too, but I’m mainly a musician, then deeply attracted by fantasy and details that can look futile, but are extremely fascinating to the non-logic (illogic?) part of the mind! That green glowing “Magic Eye” on the front panel was too intriguing and it was calling for my eyes!
I had seen it already, so far in time but still, it was so intensely fixed in my memory! Like coming out from a Sci-Fi movie, the feeling was a mix of curiosity and fear, so green and scary to only possibly being an alien artifact and sure able to promptly take control of my mind! :D

The “Magic Eye”, the VU meter grandfather

Before the 1960s, needle VU meters were extremely expensive, high tech precision tools mainly for scientific equipment, telephone and military use. VUs started becoming a practicable form of measuring an audio signal, only after mass production started in Japan and LEDs made the application on consumer products, very cheap. Electron ray indicator tubes were the way to go, to have a reliable visual representation of the presence and amplitude of an audio signal. First implemented on radios to make it easier tuning to a station, they can be found on vintage tape recorders and televisions too. The magic eye is a miniature cathode ray vacuum tube, the same as the screen of old televisions, plus an amplification stage, like in usual tubes. While the rest of the “screen” (anode) is illuminated by the electrons strikes, a part (electrode) is kept dark until a signal is detected and the flow of electrons is allowed to run in that area too.

Building the AML Fairchild 627 EQ

Once the kit arrived the connection with aircrafts strangely was evident again, this time in the form of a deja vu: The PCBs were cleverly cut in the resin board, in a form it resembled me the plastic aircraft model kits so popular in my youth, where you snap off the part you need from the mainboard, through pre-cut junctions.

AML ez-627 PCBs

My previous DIY builds never started from complete kits, all I usually had were a couple of PCBs and a BOM (Bill Of Material) list. Often, finding the right components to buy and where can become a boring and long process. This time there was nothing to worry about, only buying the valves that weren’t included in the kit. These are pretty common tubes available easily, what I couldn’t find were matched pairs, as I would like to have installed, at the beginning.

AML ez-627 unboxing

The quality of the boards is excellent and all components locations are labeled carefully. Same with the electronics, included in the kit are quality parts from manufacturers like Wima and Vishay. The transformers are Carnhill, the same I installed years ago in my DIY Neve 2254/33609 hybrid compressor (hopefully a good theme for a future post).

Assembling the 627

Arrived at the end of the project, the two Russian 6E5C/6E5S (C is an S in Cyrillic) hadn’t arrived yet, they were lost somewhere in the north of Spain. Calling the post office they told me my “Magic Eyes” had been held by customs (?), I can imagine the officers looking at my alien-ware, guessing what the hell are those for…

Building the tower for the Magic Eye, like somewhere in Mordor…

How does the 627 sound?

Even if the choice of building this processor might having being influenced not only by technically related reasons, I’m very satisfied with the results. All I passed through my units, in a couple of days they are alive, sounds very full and warm. I only tested my new pair on bass and guitars while mixing a new song, yesterday. As frequency action, its higher band goes up to 10kHz, below the 16kHz a Pultec EQP-1A (my initial choice), can work. The 627 is not too useful for brightening the higher part of the spectrum or shimmering, but very nicely working on lower frequencies. Testing it on bass, the tone I obtained was super fat and the action way more dramatic than I expected, in seconds I had a huge synth bass ready. I had to bounce the track to free the unit for processing some guitars, but I forced myself to limit the test to them only, or I would have started passing the whole song track by track, through the 627s! :D

I hope to make a follow up to this post, with the help of my OSO http://www.originalsoundsonly.com squad, with some audio tests, soon.

Links:

Most of the information on the Fairchild 627 Equalizer I could find online, comes from this link: http://www.preservationsound.com/?p=8602

The instructions on how to build the AML version of the 627, are online:
http://www.audiomaintenance.com/downloads/ez627_colourbook.pdf

DIY Neumann U47 valve microphone, ioaudio MK47

Equinox U47 enclosure

There’s no doubt that the Neumann U47 is one of the most respected valve microphones ever made, been used to record the best vocals in the history of music. For this reason, lots of copies or variants have been built in the last 50 years, up to been recreated recently, even from one of its original manufacturers.
The hardest aspect to reproduce has always been the behaviour of the valve used, the Telefunken VF14, a military radio tube discontinued in the 60s (this caused Neumann to stop the production of this model) and very hard to find, until Telefunken reissued it under the name VF14K, a few years ago.

 

 

ioaudio MK-47 kit 01

I’m not a microphone expert, I only had built a pair of AKG C12 “clones” in the past, based on the Apex460 and made a few repairs of old micros, but absolutely wanted “that” sound and a tube microphone sounding different than my pair of DIY C12.
I found this project a few years ago on GroupDIY, while it still was called prodigy-pro.com and I liked the idea of using a pair of 6028 tubes to reproduce the VF14  and wanted to give it a try. Building a PSU and finding a microphone body hasn’t been really a problem, as in the same moment other builders had offers of kits for the ’47.

I remember opening the box, the kit’s more curious parts were the Soviet condenser with Cyrillic markings on it and the specially tailored transformer, reproducing the original Bv.08 trafo.

 

ioaudio MK-47 kit 02

I don’t remember the MK47 building to be difficult at all, all was explained very well in the MK47 Build Support thread of the groupDIY thread:

https://groupdiy.com/index.php?topic=41379.0

and on the instructions included.

 

 

ioaudio MK-47 kit 03
ioaudio MK-47 kit 04

Max Kircher’s ioaudio is still building kits for vintage microphones, their actual kit is an upgrade to transform a U87 into a tube U67, something I would like to build, one day for my 87.

Thiersch STW7 Red capsule, front

As capsule I chose the  Thiersch Elektroakustik, a perfect reproduction of the M7 capsule, with the membrane in two different flavors, PVC or PET (mine).

 

 

 

 

 

DIY U47 PSU

More tricky was building the power source, but I’ve been lucky to find a suitable pcb in Prodigy’s “White Market”.

As body, I used the Equinox Systems copy of the U47 enclosure, very nicely done.

 

 

This remains up to today my preferred microphone in the studio, I use it mainly on voice.